TONY MORRIS

HIGHLY ORIGINAL 

Tony Morris entertains with his own material, a highly original and varied mix of his own Folk Songs, Poetry, Music and  Story with no regard to "Radio Playability". Never a dull moment.

A ONE-OFF. AN ORIGINAL.

He is said to be a working British Bard in the Ancient Tradition translating to and for the Modern World.  

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 The Resident Poet for BBC Radio York North Yorkshire Folk: “Tony Morris has proved a huge hit” (Michael Brothwell, programme presenter).  

Tony Morris is known for his “Trappy Lad” CD of ironstone mining songs and stories of the  Great Ironstone Rush and his talks on ironstone mining.  Traditional folksong 'you could imagine sung in home or down the mine' (The Link).  

You can listen by clicking www.myspace.com/tomlennard 

Tom Lennard is a character Tony Morris has created for his Play with song, 'Iron Rush'. This is ideal Theatre in Education and has been successfully performed before family audiences in Literary and Science and Technology Festivals and in Village Hall and Museum.

Tony Morris has written and sung songs about Captain William Scoresby of Whitby for a School film project on whaling and his 'Ballad of the Nunnington Worm' is being used for a similar purpose.

As ‘Antonius Sayer of Songs’ Tony Morris's performance of his metrical tales at medieval banquets with Bard’s Harp and Viking Lyre are acclaimed and show only part of his multi-talented, multi-instrumental improvisational skills.  

Tony Morris is proud to be member of both EQUITY and the Musician's Union.

Tony Morris's  FUNERAL POEMS in his Book “Farewell to Friends” are valued for their eclectic nature and performance notes and his close work with the suddenly bereaved. 

Tony has little time left to exhibit his fascinating paintings, unusual for his particular technique in the use of watercolour so click www.myspace.com/tonypaints  

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POET       MUSICIAN     ARTIST 

MUSIC PHILOSOPHY  

  PAINTINGS 

 FUNERAL AND MEMORIAL POEMS

BARD 

Bard@Bay

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Review/ Folk Roundabout Issue 139

"This is a project of considerable artistic merit .. should have a wide .. appeal-base; it certainly ought to interest the folk/local historian as well as the folksong specialist... those enterprising singers who are sufficiently open-minded and willing to venture beyond the safely tried-and-tested will feel encouraged to rise to the challenge of interpreting one or more of Tony's original compositions into or within the context of their own song repertoire. Heartiest congratulations to Tony on this most fulfilling release."

For full review see News and Reviews page.

 LIVE PERFORMANCES AND WORKSHOPS SEE 

NEWS  AND REVIEWS PAGE

ON SALE   PRICE  £10   at: 

The Cleveland Ironstone Mining Museum, Skinnigrove, 

The Ryedale Folk Museum, Hutton-le-Hole, 

Folk Devils, Sandgate, Whitby, 

Diamond Music, Flowergate, Whitby,  

Little Apple Book Shop, High Petergate, York.

or Direct by Mail Order from 

Tony Morris, 1 South View, Whitby, YO21 1PQ

Cheques payable to Tony Morris.

Ironstone mining in North Yorkshire is part of our industrial history that is all but forgotten. There is an excellent Video/DVD by Craig Hornby ‘A Century In Stone’ and the Cleveland Mining Museum at Skinnigrove and The Ryedale Folk Museum at Hutton-le-Hole [both well worth a visit] otherwise ironstone mining is a dramatic part of our industrial heritage that has been neglected. The Great North Yorkshire Iron Rush of the 1850's was as dramatic as the Californian Gold Rush.

One of the reasons for the neglect is that there were no folksongs to perpetuate the memory of ironstone mining and ironstone miners, as with songs of coal, lead and tin.

While writing the ironstone songs Tony Morris was shocked to be asked, even by people intimately connected with the coal and power Industry, “What did they get from ironstone?”  What they got was the iron that made North Yorkshire, for a time, the Iron and Steel Capital of the World.

Tony Morris hopes that by writing and recording songs about ironstone mining, miners and their associates in a folksong mode he will encourage others to take them up and sing them and  raise awareness of the forgotten ironstone mining industry. As well as including some of the songs in his normal performance sets he has created the Play with song 'Iron Rush' with the character of Tom Lennard, an ironstone miner born 1869 and very much alive today with his own myspace site at www.myspace.com/tomlennard  This is ideal Theatre in Education and has been successfully performed before family audiences in Literary and Science and Technology Festivals and in Village Hall and Museum.As one audience member said recently, "An amazing way to bring history to life."

Tony Morris hopes that by chatting, in performance, whether in Folk Club, Community venue or Schools, about the context of the ironstone mining songs and how he came to write them he will raise the profile of the forgotten industrial history of ironstone mining in Yorkshire and the lives of the miners and their associates and the conditions under which they lived and worked.

To listen to some tracks from 'Trappy Lad'

click  www.myspace.com/tomlennard 

 

CD of TONY MORRIS'S 2003 Album of Music and Poetry

 'CHANGING TRACKS' 

AVAILABLE AS DOWNLOAD FROM

WOVEN WHEAT  WHISPERS 

 YOU CAN LISTEN TO SAMPLE tracks on 

www.myspace.com/tonymorrismusic 

FOR REVIEW CLICK NEWS AND REVIEWS  

ALSO

Looking for a poem to read at a Funeral or Memorial?

BOOK of 108 poems by TONY MORRIS  

specially for the purpose of,  with 'how to use' section 

which explains how to personalise each of these funeral poems  for reading aloud at any funeral     when you are saying farewell to a friend.

'Farewell to Friends'  

(price £10 inc. p&p direct from tonymorrispoet@yahoo.co.uk )

'FAREWELL TO FRIENDS'

was written and compiled at the request of a funeral director when the vogue for reading a funeral poem aloud at a funeral or memorial became popular following the success of the film

'Four Weddings and a Funeral'

Because

'Farewell to friends' 

contains such a diversity of poems,

in addition to its use as a handbook for funeral poetry it is also suitable for quiet, private reading by the bereaved.

No one who might be asked to read a poem aloud at a funeral or memorial should be without this book, particularly  those in the caring professions who should always keep a copy of 'Farewell to Friends' handy in their library or filing cabinet.

 

INTRODUCING - TONY MORRIS - 

TONY MORRIS has written poetry for most of his life.  He has read his poetry in various venues and on radio and  television. He directed an arts festival in York. 

In the 1980's, although he was still writing, the theatre then began to fill his artistic life for ten years but he found time from 1987 to create his own individual style of  painting using watercolour and ink.

It was  painting that lead him back to poetry performance. In 1993  he  opened an exhibition of his paintings at the York Arts Centre with a poetry and music performance in conjunction with a flute playing friend and celebrated with the publication of his first book since 1983 ‘Poems for an Exhibition’ .

 This was a great success but it did remind TONY MORRIS of the difficulties of his working with professional musicians.

As the result of disparate influences, namely contact with the then ‘budding’ performance poet, Adrian Spendlow,  the Rose Theatre Company and the jokey christmas gift of a harmonica and a Klutz book, TONY MORRIS started to revive a long dormant talent for musical improvisation.  The  harmonica was joined by many other musical instruments. The poetry flowed and was published: the musical philosophy took root and grew.

 In 2001 TONY decided to leave the cramped confines of the the judiciary  to devote himself  to his poetry and music performances full time. By  Leading  workshops in poetry, music and his style of painting  he encourages others of all ages to share his unique skills.

 Progressive, improvised music is an integral part of many of  TONY'S 'poems' which he prefers to refer to as 'pieces' to overcome the popular, perhaps 'unpopular', concept of 'poetry'.

 Although his views on poetry and painting are very much in tune with his views on music he has found it necessary to set out a clear statement of his views on music (see so those taking part in his workshops can free themselves of conventional attitudes toward music more quickly.

Tony's talents have taken him into the world of Folk Music performance where his robust approach alienates some and captivates others.